Tag: Renaissance

Il Sodoma (1477-1549)

Il Sodoma (1477-1549)

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Giovanni Bazzi, also known as Il Sodoma. (A mocking name aimed at Bazzi’s homosexuality that Bazzi later began to embrace) was a painter of the Italian renaissance, born in Savoy, Italy.  He was influenced by the prior works of Leonardo Da Vinci and Raphael in his historical, mythical, and religious frescoes.

Featured Artwork: Marriage of Alexander the Great and Roxana (1571)

Where can I find this artwork?: Fresco at Villa Farnesina in Rome
Significance to Queer Art History: Alexander the Great is featured in the middle, gazing at his soon to be wife, Roxana as she is undressed by cupids for their consummation of marriage. Meanwhile, on the right, a clothed Hephaestion (Alexander’s best man) leans upon the marriage god, Hymen. Hephaestion was a general in Alexander’s army along with being his intimate partner and personal body guard. The two were inseparable throughout life. This fresco by Il Sodoma, exemplifies Alexander the Great’s bisexuality through Hephaestion’s closeness to the marriage god. While not married by law, Alexander and Hephaestion’s closeness during the marriage of Roxana and Alexander remains.

Resources & further reading:

The Editors of Encyclopædia Britannica. “Il Sodoma.” Encyclopædia Britannica. March 31, 2017. Accessed August 2017. https://www.britannica.com/biography/Il-Sodoma.

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 97-99.

Caravaggio (1571-1610)

Caravaggio (1571-1610)

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Featured Artwork: The Musicians

Media: Oil Paint

Date and location: 1595 in Rome

Where can I find this artwork?: The Metropolitan Museum of Art in New York City, NY (USA)

Significance to Queer Art History: Caravaggio’s work, characterized by his dramatic chiaroscuro technique (chiaroscuro uses dramatic lights and darks to model the figures coming out of the shadows in a “theatrical spotlight” manner) were sensual and dreamlike. This work in particular hosts a homosocial event of music and its connections to love, as signified by the cupid on the left side of the painting.

 

Resources & Further Reading: 

“Caravaggio (Michelangelo Merisi) | The Musicians | The Met.” The Metropolitan Museum of Art. Accessed August 2017. http://www.metmuseum.org/art/collection/search/435844.

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 114-118.

 

Titian- Diana and Actaeon

Titian- Diana and Actaeon

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Titian (1488-1576) , born in Venice, Italy as  Tiziano Vecellio or Tiziano Vecelli was known as the greatest renaissance painter of the Venetian school of art. His works centered on common catholic religious art and classical scenes from Greek and Roman mythology as the aesthetics and lore of ancient Greece and Rome were popularized once more during the Italian Renaissance.

 Featured Artwork: Diana and Actaeon

Date and location: 1556-59 in Venice, Italy

Media: Oil painting

Where can I find this artwork?: The National Gallery in London, England

Significance to Queer Art History: 

This painting centers on Actaeon the hunter and his incident of stumbling upon Diana, the goddess of the moon, the hunt, and fertility, (Also known as Artemis in Greek mythology) along with her attendants. This painting takes place right before the hunter is turned into a stag and hunted for lurking in their space. The painting symbolizes male fear and lust for pursuing desires that aren’t meant to be shared with them, hence Diana’s sensuous relationships with her attendants.

Resources & Further Reading: 

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 107-108

“Titian’s ‘Diana and Actaeon’.” National Gallery. https://www.nationalgallery.org.uk/paintings/research/titians-diana-and-actaeon.

Wethey, Harold E. “Titian.” Encyclopædia Britannica. Accessed August 07, 2017. https://www.britannica.com/biography/Titian.

Unknown- Presentation of the Virgin at the Temple

Unknown- Presentation of the Virgin at the Temple

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Featured Artwork: Presentation of the Virgin by Fra Carnevale

Date & Location: 1465 in Florence, Italy

Media: Tempera and oil paint

Significance to Queer Art History:
The male couple in the middle reflects “temptation” and modern relationships in Florence with their modern dress and the figure on the left (almost half way up the painting) “chucking” the other man under the chin in suggestive fashion. This was considered an erotic gesture and perhaps a lash at the purity of the rest of the scene that alluded to some of the contemporary lives of young men in Florence.

Close-up view of couple:

Where can I view this artwork?: The Museum of Fine Arts in Boston, MA (USA) (Museum Council Gallery (Gallery 254))

Resources & Further Reading:

“Presentation of the Virgin in the Temple.” Museum of Fine Arts, Boston. February 05, 2017. Accessed August 15, 2017. http://www.mfa.org/collections/object/presentation-of-the-virgin-in-the-temple-32587.

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 85-87.

 

Donatello (1386-1466)

Donatello (1386-1466)

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Donatello, born as Donato di Niccolò di Betto Bardi was a sculptor prominently featured through the Italian Renaissance in Florence, Italy. Donatello was one of the first modern artists to be known as gay in Florence, a city where homosexuality was prominent among artists and patrons alike, albeit, still frowned upon by certain sectors (namely, the church.) Donatello’s studio was a homosocial environment where in which, he chose apprentices from his standards of beauty rather than skill.

Featured Artwork: David

Date & Location: (1430-1440) in Florence, Italy

Media: Bronze

Where can I view this artwork?: Museo Nazionale del Bargello in Florence, Italy.

Donatello’s David was the first known freestanding life-size male nude sculpture since ancient Roman monuments. This was a renaissance of restored “perfection” in the classical arts. This figure idolized male form and androgyny in its form and soft curves.

The symbolism in the piece also recalls an early homoerotic allusion to the eagle of Jupiter in David’s feathered helmet-tail. Roman myth told of Jupiter’s eagle looking and lusting after the divine hero, Ganymede.

Resources & Further Reading:

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 83-84.

National Museum of Bargello – Florence. Accessed August 06, 2017. http://www.museumsinflorence.com/musei/museum_of_bargello.html.

Albrecht Dürer (1471-1528)

Albrecht Dürer (1471-1528)

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Albrecht Dürer was a printmaker and painter from Nuremberg Germany. His prints are considered prolific to the German Renaissance. Dürer worked and traveled to Italy much during his studies of visual arts and spent time with a lifelong and rumored intimate partner, Willibald Prickheimer, a German lawyer and humanist author. This intimacy was documented through letters that also discussed Durer’s dual lust for German girls and soldiers. Dürer even created a charcoal portrait of Prickheimer with a quite blatant Greek quotation that roughly translates to: “With the cock in your asshole”

Featured Artwork: The Bath House

Date and location: 1496 in Germany

Media: Woodcut Print

Where can I see this artwork?:  The Metropolitan Museum of Art in New York City (not currently on view)

Significance to Queer Art History: 

Durer’s Bath House explores a homosocial environment of drinking, playing music, and flirting that illustrates Dürer’s experiences in bath houses and similar areas. The imagery proves to be homoerotic as well in placement of a phallic fountain at the crotch of the male figure on the left of the image.

 

Resources & Further Reading: 

Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York, NY: Viking, 2000. 92-96.

Schulz, Matthias, and Spiegel Online. “The God of Colors: Researchers Shed New Light on Artist Albrecht Dürer.” SPIEGEL ONLINE. May 01, 2012. Accessed July 2017. http://www.spiegel.de/international/zeitgeist/new-details-emerge-on-artist-duerer-ahead-of-exhibition-a-830282.html.

“Albrecht Dürer | The Bath House | The Met.” The Metropolitan Museum of Art, I.e. The Met Museum. Accessed July  2017. http://www.metmuseum.org/art/collection/search/388481.

(1471-1528), Albrecht Dürer. “Albrecht Dürer (1471-1528) – The Bath House.” Royal Collection Trust. July 12, 1495. Accessed July 2017. https://www.royalcollection.org.uk/collection/800195/the-bath-house.